In the current global landscape, based on a Western paradigm of continuous acceleration and productive demand, it seems comfortable with "absolute" answers. We cannot deny that we are Newton's great-great-grandchildren, and the 18th century marked the way in which the axioms of classical science and physics were formulated. A mechanical, efficiency-driven vision was established, as if everything were machines and spare parts. If we add to this the speed of the 19th-century steam engine (the Industrial Revolution), it seems as if we are aboard a ship destined to never stop, to be faster and more solid; our Modern Western paradigm. Possibly, its weak point is that the nature of things is not exactly absolute; it is mobile and changing. It would make us feel bad to discover that, after a long journey, those fixed conclusions turn out to be a narrative we needed to construct and are no longer entirely accurate. The Western lens is incapable of capturing the subtlety of reality, full of complex exchanges of information and inexhaustible energy flow. That all of this is beyond our capacity for analysis, and it would be more sensible to dance, flow, and navigate this grand dynamic system called the Universe.

 

This series of sculptures proposes an aesthetic discourse on the essence of a dynamic principle that underlies the material world and is far from being “absolute.”